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Battlefiled 3 Multiplayer

JETS, CONQUEST, MULTIPLAYER GAMEPLAY

Game Feast

NEC BIRMININGHAM 16-18 Sept 2011

G.V.C

is all about gaming, From Gameplay, Multiplayer, To DLC... If you want to watch one of our LIVE gameplay streams, or Multiplayer matchs. THEN CLICK HERE!

Gears Of War 3

All The Info on the Final part of the trilogy

Deus Ex: Human Revolution

We got our hands on a preview build of the game, has Edios montreal done a good job, or have they gone down the road of another FPS?

Archive for July 2010


Crackdown was a unique game when it launched in 2007, as the idea was something different and had not been done before. Now 3 years later and Ruffian Game's have released Crackdown 2 not done by the original Development Team of Crackdown as they was busy making APB. But that's not to say Ruffian games have done a bad job or that Crackdown 2 is not fun nor is it a bad game!

OK let’s be honest it's not a major overhaul of the original game it still uses the same city (with added area's) and you still are a Agent of the agency, but this time you’re not taking out gang's you’re dealing with a Terrorist group called 'Cell' and dealing with the Freaks (Infected) at night! Anyone who has played the Original Crackdown will remember a mission where you have to kill Dr. Charablaboblow and to do this you have to break into his lab, during which you come across some Infected this is where Ruffian Games have took Crackdown 2.


BATTER UP!

As Crackdown 2 is set 10yrs after Crackdown and it seems that those infected humans/creatures have not only escaped but managed to infect nearly everyone in Pacific City. But Cell did have a part to play in all this as Ms Thorn helped unleash the Virus across Pacific City or did she... If were honest the story takes a back seat to the Action as Crackdown 2 at its core is very much like its Predecessor, as its about 'Kill's For Skill's' and you have 5 overall to level up; Agility, Fire Arms, Strength, Explosion's, and Driving Skill's! And leveling up theses skill's will unlock different ability's i.e.; Jump higher, Better weapons, Able to pick up cars!

Which you will need to be able to deal with Cell plus the Infected, as even on the normal difficultly we got our ass's kicked (handed to us) but then Crackdown 2 has 4 player Co-op but we did feel as though only higher difficulty's would require this as during our time playing 4 player co-op we found our self's either rocketing/grenading our team mate's or being on the receiving end of it. Which did get annoying we can tell you?


BOOM, BOOM...... Oh my bad!

So we felt we would only need 4 players if we was on higher difficulty's especially when wiping out the Infected lair as in Crackdown 2 your are tasked with wiping out the Virus/Infected as well as Cell, mainly taking over Cell's strongholds and making them into Agency post's. What is funny is that all of the infected locations are nearly the same place as that of the Original game's Bosses! and taking over Cell's strongholds is a bit like taking out doing one of the original bosses Hench men, it’s all very familiar even though there different enemy's and the way of doing it is different; like to wipe out an Infected lair you have to activate 3 beacon's which then show you where the point of the Main area you have to wipe out is. and you then get there call in the Beacon/Device that needs to charge up which during this you have to defend it until it does its job of cleansing the area!

Taking over strongholds is a bit different, you get the and again you activate it by calling in chopper support. But they won’t turn up until you've killed enough cells for them to drop off safely, and at times it can get very chaotic we can tell you as some of the enemy's aren't push over’s armed with Rocket launchers, Mini Guns etc... Taking them over can prove a bit of thinking at time's! Problem with crackdown 2 is its too much like the first one as they've added some things but took other stuff away as no the agency cars don't morph/change when you jump into them, which is one of the things we loved about the original OK we get choppers but still... there isn’t that much different in the weapons either.


OK, I'll take.....

But then what would Crackdown 2 be without its orbs and yes they are present in the game along with some really annoying renegade orbs, which move while you try an catch them either in a car or by rooftop it all depends on which one you try and catch. And we have to say collecting orbs is still as addictive as ever, as you’re going to need to if you want to max out those skills. See we could try and go on about how this game is way better than the original but then we would be lying, in truth it's basically the same game with some added new stuff like choppers or a wing suit that allows you to glide around. but that's not to say it wasn't fun as it was we spent 13+ hours playing Crackdown 2 and we enjoyed every bit of our time spent with the game, either on our own or with some mate's during Co-op apart from being blown up a lot or kicking your co-op buddy off a roof as he just got there as we said before collecting orbs was still addictive as ever, Climbing building's, doing roof top race's... it is still fun as it was back in 2007 as some of the ideas people did back then have been made into a multiplayer mode.


Agent this is no time for a toilet break!

Yes Rocket Tag is a competitive mode now, and yes Crackdown 2 has a Multiplayer aspect with only with 3 modes;

  • Rocket Tag: Grab the orb while everyone else try's to kill you for it with their rocket's
  • Deathmatch: Really do we need to says more???
  • Team Deathmatch: Again Really?
Rocket tag is fun especially with a full room, but the other mode's are touch and go unless you’re in a good room with a decent connection. As we found our self's shooting people at close range only for nothing to happen, even at one point we pounded the ground right next to a enemy player only for it to do.... nothing:


If you do get into a decent room the multiplayer side of crackdown 2 is fun as there is all way's private matches if you don't like the public games, just make sure you have enough friends to join you! We think Crackdown 2 is a game people will either love or hate some people who loved the first one will feel a sour taste in their mouth over how very similar it all is, and there are those you will see it as an insult to the original game. do we think this is a full sequel? no we don't, it feels more like Crackdown 1.5 if anything can we say it's worth the 39.99 price tag? Again no we can’t but it depends on the person/gamer. OK it offers Multiplayer and 4 players Co-op but does that mean it's worth it?? Again it will all depend on the person playing it and if you didn't like the demo or felt it wasn't good enough like the original then don't bother buying it!

As we spent from 10:00pm till 4:00am playing it with CameronMANIA. And he didn't buy it even though he did enjoy it, only to say I'd pay 800 MS points for it as it feels like an ADD-ON! Crackdown 2 is fun and addictive but we feel as though it’s a bit of a missed opportunity or that we will no doubt get DLC for some of the things we thought we would get or should of got. let’s hope Crackdown 3 does something different and new, while keeping that crackdown feel an vibe that people love and bring back the morphing car's!!!!!

'KILL'S FOR SKILL'S':
  • Orb collecting
  • Maxing out your Skill's
  • Co-op (creating your own game)
  • Some neat ideas
  • Rocket Tag is a blast
DON'T KILL PEACE KEEPER'S:
  • More of the same
  • Not worth the asking price
  • Feel's as though stuff is missing
  • Could of been much more
Review by:








Get Microsoft Silverlight

With the seventh film (part 1) due out this November, Harry Potter fever, it seems, is starting to ramp up considerably. We have the Harry Potter the game of the movie due out soon, and whilst I'm unsure of his jump to a FPS cover-system, the recent release of Lego Harry Potter caught my eye.



Bioshock is my favourite game of the past five years. Fallout 3 sucked my life away for 6 months. Batman: Arkham Asylum is easily my favourite game of 2009. Singularity is the latest in this growing family of games which see the player thrust into a post-catastrophic environment, which is heavily influenced by the retrofuturistic, post-war imagery of the 1950s. To say that I had high expectations of it would be an understatement.

Set in 2010, you are a soldier of the U.S. Army tasked with investigating a top secret island which underwent some kind of catastrophe and has since mysteriously disappeared off the global radar. Sound familiar? Under the cover of night, your helicopter is shot down and you are left to find your way off the island, navigating through burning wreckage and inspecting decayed fragments of said catastrophe on your way. Still familiar? I’m sure any individual who has played any FPS in the past few years can relate to this scene. Hell, even Doom went with that storyline back in ’93. So at this point, Singularity will have to offer solid gameplay or mesmerising art direction. Thankfully, it possesses both in equal measure.



Upon firing up the title screen and, in fact, for the first hour or so, you could be forgiven for thinking that Bioshock’s American themes had been banned in the Soviet Republic and Singularity was their answer to it. In the opening level, almost everything will give the player déjà vu: the gloomy colour palette, the flames on the water, the little jingles that play during the instructional videos about the island, the weapon upgrade chambers, the separate functional areas of the island, the cutesy cartoon characters in lab coats being portrayed as figures of authority, contrasted with the imposing statues of Stalin and other key characters of the game; I was convinced I was playing Russian Bioshock.
And I loved it.

However hard you try to ignore the inevitable comparisons between Singularity and Bioshock, you will undoubtedly find them. Yet that is not to say that Singularity is a cheap copy – it is a perfectly capable game in its own right, and as such is a worthy addition to this specific niche of FPS games.



Gameplay:
From the moment I gained control of the main character, I knew I was going to like how Singularity played. The Unreal Engine is put to good use in this game: the walking seems realistic, the running seems realistic, and during the opening scene the first thing I noticed was that my screen was slowly bobbing up and down. My character was breathing. Call me old fashioned, but little details such as breathing have been missing from FPS games for far too long now, and it helps to make the character feel more real, and the consequently the player feel more engaged. Other character animations are generally sound, however one complaint I did have was that when the character uses the TMD, he does not draw his gun out again – it simply appears out of nowhere. I found that this pulled me away from the otherwise believable realism of the game.

The TMD itself is put to good use in the game, though it does feel at times that the developers thought of a new way it could be used and subsequently littered the next ten minutes with that type of action. The example I am thinking of in particular involved a long stretch of making trees grow in order to push metal panels aside. The interface for the TMD is reminiscent of Portal with its blue and orange segments, and again comparisons can be drawn between some functions of the TMD and the ASHPD (i.e. Portal Gun). I was unsure why Raven chose Blue and Orange – and specifically the same shades of blue and orange – for the TMD; after the fine line Raven have walked with the Bioshock themes, this seems borderline plagiaristic. In combat the TMD has a couple of interesting uses, yet I was left feeling they could have been developed further. For example, the player can age a Spetsnaz soldier to dust, yet it would have been fun to age him until he was a little old man, or even a toddler. The potential to fight a small company of doddery old men is an idea I wish Raven had not skipped over. Perhaps it will be included in DLC... but I dream.



The enemies have some interesting concepts to them, yet you will not find anything particularly new here. They serve their purpose well – they’re big, and nasty, and make you crap your pants when you suspect one is around. Part of this, however, is the fact that they have so much health - if you find yourself caught short with only your pistol to protect yourself, they can quickly close on you and finish you off in two to three hits. And don’t even think about taking more than one of them on with your pistol. Even the little critters can beat you to within an inch of your life, if you let them get close. Despite this, I only died a handful of times on Normal mode, so it could be argued that the constant near-death experiences keep the player on the edge of their seat.

There is an abundance of in-game extras that contribute to the rich background of Singularity. These come in the form of notes, recordings, posters, videos, announcements, and so on. Each contributes a little to the events that lead up to the catastrophe on the island, and some explain some of the other practices that took place on the island, which is a nice touch. These really add to the atmosphere of the game, and without them it would have definitely been just another average shooter. In fact, if you strip away Singularity’s atmosphere and back story, you do have very, very basic shooter gameplay at its core. Luckily the smart presentation distracts the player from that fact.

The only thing missing from here is the lack of some sort of journal or book for keeping all the notes and recordings – once the player has read/listened to them, there is no option to carry them round and listen to them consecutively. Oh, and sometimes you’ll end up reading the same piece of information from multiple people, without any extra details between accounts – it’s as though Raven wanted to make sure that if we missed one piece of information, it would be repeated right round the corner. This is thoughtful and generally good, but not so much for gamers who like to spend their time exploring and finding every last piece of data. And one more thing... There isn’t a map?! I feel like I’m being stupid and I just haven’t found it, but if it really isn’t there then it’s a huge shortcoming. It doesn’t detract from the game when you’re in the middle of it, but when you step back and think about how helpful it would have been; about the contribution to the atmosphere it would have made, it sticks out like a reverted soldier.
I have already stated my small concern about the toughness of the enemies, yet on the whole the gameplay in Singularity is like trying on a fine suit: very easy to get into, plenty of good attention to detail, and most importantly it just feels right. Unfortunately, as the game goes on, you’ll see less and less of the propaganda and art that I feel are the best part of Singularity. Also don’t expect an amazing twist at the end; keen-eyed players will pick up on events in the first hour of play that give away the game’s ending.



Graphics:
I have mentioned the striking similarities to Bioshock in this game before. I hate to compare the two so much, but in this case it is really a positive thing. If you liked the moody dystopia of Bioshock – its contrast of brightly coloured, retrofuturistic propaganda with the stark, foreboding statues and buildings which have fallen into ruin – then you will love Singularity almost as much. On a personal note, I found the theme of water more mesmerising than radiation as the source of the devastation, yet that is almost negligible. The art direction in this game, coupled with the smooth graphics, are top notch. The lighting is set just right, and the designs of the enemies – while not groundbreaking – have had enough thought put into them to make them equally grotesque and killable. There is one segment of the game that plunges you into the same run-down facility but 50 years earlier, when it was still in use, and the contrast was highly enjoyable. I would have liked to see more of that contrast, though sadly it was few and far between. The HUD is almost non-existent – only the player’s health bar is permanently on-screen, while other facets flash up when necessary. I was aware of them, but never distracted by them, and found the minimalist HUD refreshing. The graphics in general allow the player to enjoy the atmosphere the game provides, although once or twice I caught the game loading objects without their relevant textures; though this is really a minor thing. My more significant disappointment was in the repetitive nature of the surroundings – a couple of times I found myself wondering if I was revisiting a section of the map, yet they were two entirely different tunnels (because I didn’t have a map to consult). Also more generally, the colour palette stays in the grey-green-orange area for much of the game; I would have liked to see a couple of departures from that pattern at points in the game. Nonetheless the graphics are solid, and the art direction is of a high standard, if a little samey throughout the game.



Sound:
The sound in Singularity is what you’d expect from a game like this, but as with all aspects of this game, it’s done well. The player’s movements are mapped accurately – there is even a rustle of clothing when you aim down your sights. The guns sound just as they should, although these days that is nothing special. The enemies are also as you’d expect – their solid appearances are not let down by the noises they make. Where Singularity really shines sonically, however, is in its voice acting and its ambient noise. When wandering round cramped school corridors, the creaking and faint echoes of children laughing really build the tension. Outside, the moans of something inhuman are carried on the wind, keeping the player on their toes at all times. The voice acting is perhaps even better – the marines shout with a sense of urgency; the Russian soldiers play the part of the ‘baddie’ well; the evil characters sound like they were plucked straight from a James Bond movie; the announcers of the propaganda videos are sickeningly optimistic, and the voices on the recordings speak with genuine fear. All add to the atmosphere of the game already laid down by the graphics and character animations, further immersing the player in the legend of Katorga-12. You might find the russian voices a little cheesy, but I like big helpings of cheese in my games; sometimes it adds to the already surreal story and environment. Besides, I’ve still yet to play a game produced by a Western developer where the Russian accents don’t sound inherently cheesy.

Multiplayer:
The multiplayer aspect of Singularity is a departure from the single player. I expected to find a bunch of clones of the main character, all in first-person mode, in the usual Deathmatch/Objective playlists. I also expected it to be somewhat tacked-on to the single player, which seemed to be too in-depth to allow for a comprehensive multiplayer. What I found was a pleasant surprise. Raven have created a team-based 3rd person multiplayer facet to Singularity, with a selection of the monsters from the game making one of the teams. Each has its own set of moves, albeit pinched from the single player. There isn’t a great deal of depth to the multiplayer and it is most likely tacked on, but it has had enough thought put into it to make it a worthwhile addition to the single player element of the game – one that will keep players occupied for a weekend or two once they have completed the game’s core story.

Longevity There are those of us out there who are perfectionists, and those of us out there who are not. The replayability of Singularity most likely lies solely within the realms of Achievement whoring and 100% completion. It is a mostly linear game; the only mutable elements being the upgrades one chooses to buy or the weapons one chooses to use. As mentioned, the multiplayer will add to the lifespan of the game, though not monumentally.



Singularity is the type of game that begs to be savoured on the first play-through - where the player can immerse themselves in the rich background, graphics, voice acting and storyline for the first and only time, and perhaps return to it after a year or two on the shelf. Sadly though, as the game progresses it devolves into a standard shooter, shedding more and more of the imagery and atmosphere that made it stand out. Perhaps if it had not been preceded by the likes of Bioshock, Portal and Fallout 3, it would have been heralded with a great deal more praise. However as it stands, it falls firmly into the category of ‘solid addition’ to the post-catastrophe shooter; an immersive, enjoyable game that has some interesting moments but is sadly just a year or two too late to be classed as groundbreaking. If you can get past the déjà vu, however, Singularity makes for a very enjoyable experience – much more so for its theme than its straightforward gameplay.

7.5/10: If you like your games founded on artistic themes and dystopian imagery, or you’re looking for something to keep you busy until your next major game, consider this 8/10. If you only like innovative gameplay, perhaps hold out for Portal 2.

FOR MOTHER RUSSIA!
+ Solid, yet unoriginal gameplay
+ Great graphics/art direction
+ Immersive environment
+ TMD is fun for a while
+ Novelty of TMD/E99 weapons
+ Multiple thought-provoking endings

CAPITALIST PIGS!
- It’s all been done before
- Superpowered enemies
- Environments are very similar
- TMD concept could be much more developed
- Where’s the map?!
- The twist is weak, and can be guessed from near the beginning of the game

REVIEW BY:








Get Microsoft Silverlight


Watch a match of annex with me an SightSEE in!